Glass Child: Review
- Victoria Luxton (she/her)
- Apr 13
- 2 min read
Updated: Apr 14
A production of beauty, truth, and raw connection.
Glass Child is a deeply moving and visually striking exploration
of what it means to be seen—or looked through—as the sibling
of someone living with a disability. Performed by real-life
brother and sister duo, Kayah and Maitreyah, this powerful work
blends spoken word, contemporary dance, movement, visual
storytelling and video to create a rich, sensory experience that
lingers long after the lights come up.
The piece is non-linear in structure, unfolding more like a series
of lived memories and emotional impressions than a traditional
narrative. Through this format, we’re invited into a deeply
personal story—one that speaks to both the complexities and the
joys of growing up in a world that often fails to fully understand
or include people with intellectual disabilities.

Kayah, a performer breaking boundaries as a person with Down
syndrome, commands the stage with confidence, vulnerability,
and cheeky charisma. His bond with Maitreyah is the heart of
the show. They move together seamlessly, with a level of trust
and compassion that can only come from a lifetime of shared
experience. Their connection is tangible, and at times
breathtaking.
Maitreyah’s deep respect for her brother shines through every
moment—through her words, her movement, and her gentle
presence beside him. It’s clear how much she honours not only
who he is, but all he has achieved. At times, she also shares her
own pain—of being the sibling looked through, of watching her
brother feel isolated in a world not built for him. These
reflections are honest and affecting, handled with grace and
strength.
From start to finish, Glass Child shifts between moments of gut-
wrenching heartbreak and light, cheeky joy. The “rude finger dance”
in particular had the audience chuckling and revealed the
duo’s playful personalities. These lighter beats sit beautifully
beside more tender and painful memories, striking a delicate
balance that never feels forced.
Presented by The Farm, a company known for its bold and
collaborative creations, Glass Child is not just a performance—
it’s an experience. It challenges assumptions, expands
understanding, and most importantly, invites us to see each other
more clearly.
As someone who grew up with an uncle with an intellectual
disability, I found the work especially poignant. I wasn’t always
aware that the rest of the world could overlook people who were
different. Glass Child cracked something open in me—and I
have no doubt it will do the same for others.