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The current production of ‘Sunset Boulevard’ at the Opera House delivers a theatrical experience that is as grand as it is unsettling. The story, a harrowing tale of faded stardom and the destructive power of delusion unfolds with all the melodrama one would expect from this iconic piece of musical theatre. Yet, while the production has moments of brilliance, it ultimately leaves the audience with mixed emotions—somewhere between awe and ambivalence.

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Image by Wendell Teodoro

 

At the show's heart is Norma Desmond, the ageing silent film star who refuses to accept that her golden days are long behind her. Portraying Norma is none other than Sarah Brightman, a name synonymous with grand theatrical performances. However, in this production, Brightman's portrayal falls short of the vocal and emotional depth that Norma demands. While her stage presence is undeniable, there is a noticeable lack of the vocal power and clarity that one might expect from such a legendary figure. At times, it was difficult to fully grasp the nuances of her performance, which hindered the connection to Norma's tragic descent into madness.

 

In stark contrast, Tim Draxl as Joe Gillis commands the stage with a performance that is nothing short of captivating. Draxl brings a sharp, cynical edge to the struggling screenwriter, his voice crisp and resonant, cutting through the drama with precision. His portrayal captures the complexity of Joe—a man caught between ambition, pity, and self-preservation—with a presence that anchors the production. Draxl’s ability to convey Joe’s internal conflict and his gradual entanglement in Norma’s delusions is masterful, making him the standout of the evening.

 

Ashleigh Rubenach, as Betty Schaefer, provides a much-needed counterbalance to the darker elements of the show. Her portrayal is both innocent and pragmatic, offering a glimpse of hope and normality in a world otherwise steeped in decadence and decay. Rubenach’s voice is a true delight—sublime, soothing, and effortlessly expressive, she brings a warmth to the stage that is both refreshing and essential to the narrative.

 

One of the most remarkable aspects of this production is the ensemble. The supporting cast, with their boundless energy and versatility, truly elevate the show to another level. Their performances are tight, cohesive, and brimming with character, each member contributing to the grand spectacle that *Sunset Boulevard* aspires to be. Among them, Peter Ho stands out for his seamless shifts between vastly different roles, from a flouncy starlet to a humble diner worker, showcasing his impressive range. Grace Driscoll also deserves special mention for her soaring vocals, which resonate powerfully throughout the theatre, leaving a lasting impression long after the final curtain falls.

 

The orchestra, under the direction of an accomplished conductor, provides a lush, sweeping soundscape that is both immersive and nostalgic. Their performance transports the audience back to the golden age of Hollywood, with all its glamour and tragedy, and serves as the backbone of the production’s success. It is the music, more than anything, that captures the grandeur and emotional depth of ‘Sunset Boulevard’, making the audience feel as if they are part of the era it so vividly portrays.

 

Visually, the production is a mixed bag. The set design is grand in scale, with towering structures and intricate details meant to evoke the opulence of Norma Desmond’s decaying mansion. However, despite its ambition, the set lacks a certain vitality, leaving a sense of emptiness where there should be richness and decay. In contrast, the costume design is a triumph, with each outfit meticulously crafted to reflect the elegance and excess of the time. The costumes not only add to the visual splendour of the production but also help to ground the characters in their respective worlds, whether it’s the faded glamour of Norma or the hopeful pragmatism of Betty.

 

In conclusion, 'Sunset Boulevard' at the Opera House is a production that strives for greatness and, in many ways, achieves it. While it may falter in certain areas, it excels in others, thanks to the stellar performances of the ensemble, the powerful presence of Tim Draxl, and the enchanting music that ties it all together. For fans of classic musicals and grand, tragic narratives, this production offers a night of theatre that, while imperfect, is certainly worth experiencing. Despite some shortcomings, it earns a respectable three stars.

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Grab Tickets for Sunset Boulevard here!

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