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The Woman In Black
The Woman in Black is a thrilling and suspenseful drama following the story of Arthur Kipps exorcising his past experiences. As someone who is not a huge fan of horror, I would see this show again—it is fearsome but equally impressive and captivating.
This play is based on Susan Hill’s 1983 book of the same name. The Woman in Black is the second longest-running play on the West End, second to The Mousetrap. It has also been turned into a film starring Daniel Radcliffe.
It all starts in a rehearsal room with Arthur Kipps seeking assistance from an actor to tell his story that has been eating him alive. With a slow start into the story itself, the comedy delivery appears overplayed and repetitive. But then the recalling of Kipps' story starts running and there is not one stop for breath.
Image by Justin Nicholas
We get lost in the past of Arthur Kipps, from travelling to a small town in England, Crythin Gifford, due to his work as a solicitor. Kipps becomes encapsulated by an old estate whilst looking for documentation by the deceased owner, unravelling its horrible and shocking past. Kipps soon discovers the estate has many secrets and supernatural connections, following the residents as well as visitors. With just minimal set and props, The Woman in Black completely transports us with the immersive lighting and sound recordings, while utilising theatrical moments of pitch black, projections and fog. The play gets the audience on the edge of their seats, gripping our attention and challenging assumptions. I could feel the fear capture those in the auditorium; the team have successfully created a detailed, immersive world.
Image by Justin Nicholas
My assumption was that the narrative would play out with an array of characters, like in the original book, so I went in with questions on how the story would grip us with just two actors. But the execution of Stephen Mallatratt’s adaptation as well as the mastery of John Waters (Arthur Kipps) and Daniel MacPherson (The Actor) let the narrative unfold in very safe hands.
A duo very familiar with the craft of acting, John Waters and Daniel MacPherson bring their extensive acting history to the stage as they skilfully craft and deliver each character. The performances were just impeccable. Waters was in the Australian original production in 2006 reprising the role of Mr Kipps. Waters and MacPherson complement one another seamlessly keeping the script fresh and unpredictable. The duo successfully create a believable interplay we are invested in and do a superb job at sustaining our interest throughout.
Image by Justin Nicholas
The Woman in Black delivers on its promise to terrify, but is supported by captivating stagecraft and performances. This is not a show to miss, especially for those who are horror fans or anyone who just loves a gripping narrative! The Woman in Black is at the Theatre Royal Sydney until August 17th.
Tickets are available here
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